- Dated: 1563
- Measurements: overall length 123cm, handle 22cm, weight approximately 1.44kg
Featuring the coat of arms of the Holstein family of Reventlow, the sword was part of a collection of weapons which was sold in Denmark, Gaunö in 1930. The handle has a wood grip with leather wrap and an interesting Octahedron shaped pommel.
The guard is a set of flattened quillons (23.5 cm wide) curving downwards and have spatulated ends. The blade also has a single fuller on either side and is inscribed with "Durch Gott und seine Gnad das Glück erhoff ich" and on the other side “alle Stund und Augenblick”, plus “AD 1563”.
Why a sword feels right
- by Randy McCall
Many readers will have had the experience of shopping for modern, practical cutting swords, both replicas of ancient swords and modern designs. One of the most common tips given to new sword-shoppers is to pick up and try out many different swords “until you find one that feels right for you”. Rarely is any explanation given for precisely what this means.
Shoppers presume it has something to do with whether the hilt is the right size for their hand, or that it has something to do with the sword’s “balance”… whatever that is.
Some lucky few will have had the chance to handle high quality antique weapons. Those who have are often shocked that these blades — often of the same weight and length as the modern replica blade they use at home — have a completely different “feel”.
Often master blades seem lighter than than their actual weight, with a sense of “liveliness” (easy to rotate in the hand), and with the feeling to make almost effortless cuts or thrusts. This isn’t to criticize the sword makers of today — there are master swordsmiths around the world — but to demonstrate the skill and genius of the weapon makers of old.
The basic question then is why is there a difference between how these swords feel, and how can a sword practitioner use this knowledge to their advantage? There have been a number of papers, articles and discussion threads on this topic, often delving into physics formula to define and explain mathematically how and why a sword feels, moves and strikes as it does.
One of the main resources for this will be “Dynamics of Hand-Held Impact Weapons” by George Turner; a fairly technical exploration of the physics behind why swords handle as they do (and an indispensable resource for those interested in designing good swords). There are also several other articles, plus web forum discussion threads, which explore this area which we’ll draw on.
Never fear though; we’ll leave the calculations behind and focus on the practical applications. Those who wish to see the maths can check the links in the Sources section.
So, let’s start off with a few basics. We’ll presume that the swords you’re looking at are well designed, have properly sized hilt grips, etc., so we can ignore the ergonomic factors.
A sword has several physical characteristics which can affect both its feel in the hand and how it handles. Let’s take a look at these, along with examples of how you would check these while inspecting your blade…
You hate them because they protected me. Makes sense.
Q:hello!! do you and maitso-kane (do they also have a tumblr?) mind too terribly much if my friend (tiramisuki) and i use the Iorveth and Roche "haters gonna hate" artwork for tumblr icons? we would both leave credit. thanks!
Thank you for asking!)
I don’t communicate with Maitso Kane for couple of years now I guess and have no idea if she has a Tumblr.
Me personally - I don’t mind if you use that art as your icons even though I plan to re-draw it from the start as long as I think Roche’s smile looks terrible there :) And I have no opportunity to delete it from the Internet *giggles* but ppl seem to like the whole concept.